Saint \ Surreal feat. Dior Pre Fall 2018 collection, by Marie Schuller, from the April issue #13
Text Carlo Mazzoni. On the other side of Via Bagutta, at the bottom of the courtyard of Palazzo Reina, recently restored by the heirs of de Balcany, the Paper Moon Giardino opens its doors: a green lawn finds fresh water, glass canes, roses and laurels – under that linden tree which is the most secret one in Milan.
Text Angelica Carrara. Post-industrial charm of the old Milan, on a Saturday night: a party in a place hidden at the end of a gravel street. The restaurant has come to life in an ex foundry. No tablecloth on the raw wooden tables, just flowerpots: red anemone, black buttercups and powder-coloured syringas.
Text Gianni Biondillo. It is as though the house is floating, suspended in time, hibernating for the past ten years and just waiting to wake up. The house was built in 1944, sophisticated and modern, yet also elegant and domestic. Arredamenti Borsani Varedo (ABV) was thriving and Gaetano’s two sons were collaborating with their father.
Text Angelica Carrara. We await the creative direction of Riccardo Tisci. The trench coat, symbol of the maison, lends itself to styling games. Magazines and platforms in the world have soon given rise to an aesthetic conversation, about the trench. HypeBeast plays on digital, The Fashionable Lampoon opens a styling session.
Text Carlo Mazzoni. As in the best love stories, one need not agree on everything. Pathetic maxims – when you’re in love, as you well know, nothing else counts. From the pulpit, the priest would begin his sermon: “Let us skip the first reading as it is depressing. Whoever wrote it was suffering from poor digestion.”
Text Rocco Moliterni. A man sitting alone at the table, made of wax with a wick on his head, and a woman’s head in the branches of a tree. Two new events on contemporary art on the Grand Canal: Dancing with Myself in the rooms of Punta della Dogana, and Cows by the Water at Palazzo Grassi. From Sunday 8th April.
Text Giuseppe Fantasia. More than one hundred 'old photos' as the Scottish photographer ironically defined them, who has taken twelve campaigns in the Eighties and in the Nineties for the Maison of roses. At Palazzo dei Pio in Carpi, from tomorrow until 17th June, the show Albert Watson. Fashion, Portraits & Landscapes.
Text Giacomo A. Minazzi. For the Salone del Mobile 2018 Marni has recreated a Colombian Vereda. A sober, almost decommissioned entrance. Inside, the colours.
Text Giuseppe Fantasia. Scraps and joints to realise Luce Solida, the artistic performance by Pietro Russo on show during the Design Week.
Text Micol A. Beltramini. Matteo De Ponti e Laura Macagno parlano della loro creatura: il brand di design Colé, fondato a Milano nel 2011.
Text Francesco Musolino. The first online platform dedicated to Italian galleries, conceived and created by the journalist Cristiana Campanini.
Text Carlo Mazzoni. Kiton turns fifty by opening its Milan headquarters to the public with the exhibition The Elegant Man.
Text Jacopo Bedussi. On Thursday evening the show by Nicola Guiducci was inaugurated at PlasMA, open to the public until the second week of May.
Text Rocco Moliterni. Today the 23rd edition of miart inaugurates. There are 184 galleries: the dialogue between modern, contemporary art and design is consolidated.
Text Micol A. Beltramini. The novel by Sara Gamberini, Maestoso è l'abbandono, tells about love that assails you, even after its separation.
Text Elena Azzola. Until April 18th the Rinascente in Milan presents The Green Life, a tribute to the Green Carpet Fashion Awards in September.
Text Micol A. Beltramini. In Japan it is an enchantment and a tradition: hanami. Faliero Sarti pays tribute to this, with sakura on a scarf.
Text Francesca Scotti. Owens the wizard, the shaman, the fashion heir of David Lynch or Joseph Beuys, reinterprets the being beyond the gender.
Text Angelica Carrara. He is the new artistic director of the Maison collection for men, it is all a matter of streetwear.
Text Domenico Paris. Icons, the English photographer’s retrospective will be on show until 20th May at Complesso del Vittoriano in Rome.
Text Cesare Cunaccia. Nastro D'Argento winner and an Oscar nomination. The C'era una volta in America screewriter's gone missing in the past year.