Text Carlo Mazzoni. Sweet-sounding South America expands the vision of the Mexican rodeo and blends with the harpsichord of Chantilly’s rooms. The sovereign is an alchemist, a bit Merlin, a bit Tiger Man – anyway the husband of a queen of France. Yesterday evening, the Cruise collection by Dior was presented. #DiorCruise
Text Carlo Mazzoni. As in the best love stories, one need not agree on everything. Pathetic maxims – when you’re in love, as you well know, nothing else counts. From the pulpit, the priest would begin his sermon: “Let us skip the first reading as it is depressing. Whoever wrote it was suffering from poor digestion.”
Text Carlo Mazzoni. The simplicity of the light, a lamé dress, silvery and sparkling. The prints were produced using four-colour printing – Versace was the first to print with eighteen colours, sometimes even twenty. Andy Warhol gave Gianni permission to use his paintings in his clothes. More is more – Neo Baroque.
Text Carlo Mazzoni. It’s about what will prove to be up-to-date as regards aesthetics in the future: in fashion, films, TV – generally in the media. Two men. The first man is the protagonist of Guadagnino’s movie, Armie Hammer. The other one is Matt Smith, duke of Edinburgh in The Crown. Their eyes shine, full of seriousness.
Text Carlo Mazzoni. Hermès is complicated, like a novel with multiple narrators that unfolds on three axes of time.
Text Carlo Mazzoni. A ten-minutes film that tells about a job interview for a position at a magazine editorial office.