Text Cesare Cunaccia. The italian 17th century, between glories and misfortunes. The story behind The Nun of Monza. Countess and Lady of Monza, lady Maria Anna personally managed and collected the relative taxes in the Lombard city at the gates of Milan. She will be always remembered for her forbidden love.
Text Cesare Cunaccia. The story behind a journey. Paintings, sculptures, clothing, shoes and accessories, furniture and vintage photographs on display, portraying the golden age of Salvatore Ferragamo’s return home during the interwar period.
Text by Carlo Mazzoni. The best and worst spots from Milan’s Fashion Week. «First the bad then – as if looking for comfort – the good». Though in this case, we will start with «the good» as we have no way of offering comfort from «the bad». From the Italian garden in Piazza della Scala to the amfAR downfall.
Text Cesare Cunaccia. The concept of Exotic in an array of fleeting yet precise frames. Fendi does not want to restrict its desire for metamorphosis and fevered experimentation of a thousand iridescent flashes, on materials, inserts, and highly skilled artisan workmanship. Bags and clutches that retain their essence.
Text Giacomo Andrea Minazzi. Despite, as he himself admitted «trying to be as little a fashion photographer as possible», Peter Lindbergh revolutionized fashion photography by abandoning posed photography in favour of an uninhibited visual imagery that expresses grace and beauty and is inspired by the language of cinema and dance.
Text Angelica Carrara. The Arena di Verona was iced over for the Intimissimi gala. Greek literature was in the spotlight with figure skating. Very special guests like the 'czar' of ice Evgenij Pljuščenko and tenor Andrea Bocelli. Aphrodite of Knidos, the burning Trojan horse and a parterre de rois.