The application and impregnation of starch
houses built to the river’s height harness water power, women at the stream holding wooden clubs. In 1736, a beetling mill was built
Toulouse, Les Abattoirs. An art cathedral in the Occitaine France
Former slaughterhouse of the city the building exemplifies the industrial architecture of the 19th century – by Urbain Vitry, between 1825 and 1832
Paris, 107Rivoli. Inside the Musée des Arts Décoratifs in Paris
The Pipistrello lamp by Gae Aulenti marks the spaces – a bookshop, close to the reconstructed Jeanne Lauvin's house and Eugène Grasset's living room
Milano, Casa Canvas. Una scatola di progetti in fieri
oltre il boutique hotel e la galleria d'arte – una villa del Settecento è casa per artisti, nel racconto della fondatrice, la designer brasiliana Thayse Viégas
Cerith Wyn Evans in conversation with Cornelia Lauf
A thirst for fluidity, for a trans position — can art be a form of cultural diplomacy? An artist and a curator discuss
Editor’s Letter: Fluido – the February issue
Fluid like the love all around you — be it a well-delivered sermon in church, or fluid like the march to Dandi was for Gandhi
Collina Strada: from sustainability to climate change, self-love to self-preservation
"you wouldn’t even know my brand is sustainable". Hillary Taymour’s collection themes acts as a barometer of the world’s current situation
Toulouse, Les Abattoirs. An art cathedral in the Occitaine France
Former slaughterhouse of the city the building exemplifies the industrial architecture of the 19th century – by Urbain Vitry, between 1825 and 1832
Paris, 107Rivoli. Inside the Musée des Arts Décoratifs in Paris
The Pipistrello lamp by Gae Aulenti marks the spaces – a bookshop, close to the reconstructed Jeanne Lauvin's house and Eugène Grasset's living room
Milano, Casa Canvas. Una scatola di progetti in fieri
oltre il boutique hotel e la galleria d'arte – una villa del Settecento è casa per artisti, nel racconto della fondatrice, la designer brasiliana Thayse Viégas
Cerith Wyn Evans in conversation with Cornelia Lauf
A thirst for fluidity, for a trans position — can art be a form of cultural diplomacy? An artist and a curator discuss
Editor’s Letter: Fluido – the February issue
Fluid like the love all around you — be it a well-delivered sermon in church, or fluid like the march to Dandi was for Gandhi
READING ROOM
culture and design – international concept stores and bookstores
The application and impregnation of starch
houses built to the river’s height harness water power, women at the stream holding wooden clubs. In 1736, a beetling mill was built
Toulouse, Les Abattoirs. An art cathedral in the Occitaine France
Former slaughterhouse of the city the building exemplifies the industrial architecture of the 19th century – by Urbain Vitry, between 1825 and 1832
Paris, 107Rivoli. Inside the Musée des Arts Décoratifs in Paris
The Pipistrello lamp by Gae Aulenti marks the spaces – a bookshop, close to the reconstructed Jeanne Lauvin's house and Eugène Grasset's living room
PERFUMES
chronicles from the world of fragrances and beauty
The application and impregnation of starch
houses built to the river’s height harness water power, women at the stream holding wooden clubs. In 1736, a beetling mill was built
Toulouse, Les Abattoirs. An art cathedral in the Occitaine France
Former slaughterhouse of the city the building exemplifies the industrial architecture of the 19th century – by Urbain Vitry, between 1825 and 1832
Paris, 107Rivoli. Inside the Musée des Arts Décoratifs in Paris
The Pipistrello lamp by Gae Aulenti marks the spaces – a bookshop, close to the reconstructed Jeanne Lauvin's house and Eugène Grasset's living room
DIRECTORY
a travel diary, a way to experience the world
Toulouse, Les Abattoirs. An art cathedral in the Occitaine France
Former slaughterhouse of the city the building exemplifies the industrial architecture of the 19th century – by Urbain Vitry, between 1825 and 1832
Paris, 107Rivoli. Inside the Musée des Arts Décoratifs in Paris
The Pipistrello lamp by Gae Aulenti marks the spaces – a bookshop, close to the reconstructed Jeanne Lauvin's house and Eugène Grasset's living room
Milano, Casa Canvas. Una scatola di progetti in fieri
oltre il boutique hotel e la galleria d'arte – una villa del Settecento è casa per artisti, nel racconto della fondatrice, la designer brasiliana Thayse Viégas
CULT
news from the world of art and culture
Picasso Sculptor
Pablo Ruiz y Picasso. A giant, the Minotaur that casts its disturbing shadow across the art of the entire 20th century
The 27 Club – plus one
Schiele and Basquiat. The aura of the greats, too fragile, perhaps, to cope with world criticism, or even success. Genius and wildness. Luck or damnation
Streetwear? No, a suit by Paul Smith
Not everyone gets on the streetwear bandwagon, not Paul Smith who revisits his archive, his story, and reconfirms the suit in a game of proportions. Clothing, a constant”
Art tribe for Cartier
Too awkward, in flight, to read the time on the pocket watch - Santos Dumont complained to Louis Cartier in Paris, during the Belle Époque
